Jesus Wants Me for a Sunbeam
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His considered and modulated expression of the sentiments of the play cohere such that the characters and story seamlessly intersect. This is not a play about religion, despite the title.
Her portrayal of youth and excitement early on are uplifting to watch and her work has real depth when the story turns inward. As the themes close in, the play has scenes which slow and lengthen in exposition. Here, the stillness of implication between moments of thought struggle for repression. And the stellar lighting from Verity Hampson really goes to work.
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The colour choices for the cyclorama shining through the set are not too bold or varied but it is the use of side lighting that gives the rig an unobtrusive redolent warmth. But the rig can also make an unflinching statement with its throw of shadows, huge and dark, on the side walls.
The set and the costumes Emma Vine are also in concert with the text. Foregrounding autumnal, sunset colours in the vertical swathe of bookshelf which dominates the raised stage.
Jesus Wants Me for a Sunbeam - AUDREY Journal
The bookshelf grows organically from a multiuse bier which becomes bed or table as needed. The spine tones are picked out in some of the costumes. Other costumes though, delve deeper into the writing with their gentle use of a faded sensibility that is echoed in the very walls.
The palette is discrete and interrogates the text for clues to place, time and age with characterful odd socks on the child and orange in the bowls. Little can prepare you for the power of the final few minutes of this production.
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Whether your reactions veer toward the life-affirming or the horrified, this is stunning theatre. The character of Ben demands enormous emotional control on many levels — and Liam Lunan moves along that spectrum in a performance that is evocative and deeply moving.
His command of how much to show, how far to go, is indicative of careful character development and judicially guided direction. She also plays Dr Eve, who guides the family through a harrowing time. Bader brings her usual commitment and depth of experience to both of these different but singular roles. He too is loving, and indulgent, even though he does upset Linda by his smoking.
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Lee also plays a priest who has become a family friend. Though different, these men are both kind and understanding, and Lee differentiates them by stressing the warm-heartedness of the one — and the earnestness of the other. To keep up with the latest news and reviews at Stage Whispers, click here to like us on Facebook , or follow us on Twitter.
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Jesus Wants Me for a Sunbeam. Adapted by Steve Rodgers from the novella by Peter Goldsworthy. National Theatre of Parramatta. Riverside Theatres Parramatta.